Abstract: Through the gardens depicted in their Blue Mountains texts of the 1980s and 1990s, Australian writers Drusilla Modjeska and Kate Llewellyn forge a feminist aesthetic in which the binaries of nature/culture, male/female and bush/city co-exist. These texts depict Australia as a nation that no longer looks predominantly to Britain but is a hybrid and transcultural entity which embraces its rich migrant experience.
Keywords: Australian Women’s Writing, Gardens in Literature, Migrant Experience, Feminine Aesthetics
Copyright © Elizabeth Hicks 2011. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged.