Volume 10, number 1 (2019) Forever in the Postcolonial Process of Growing Up: Change and Changelessness in Christopher Koch’s Bildungsroman-Inspired Novels by Jean-François Vernay
Volume 10, number 1 (2019) “Why does it always have to end like this?”: On Board the Endeavour in Australian Children’s Fiction by Nataša Kampmark
Volume 10, number 1 (2019) Pondering Hierarchy of Oppressions in Australia: The Case of Refugees and Their Mode of Arrival by Fabiane Ramos
Volume 10, number 1 (2019) ‘Do we have Aussie slang for genitals?’: Intellectual Elites, Vernacular Expression, and the ‘Bush’ as Urban Imaginary by Mitchell Rolls
Volume 10, number 1 (2019) White Guilt, Aboriginal Culturalism and the Impoverishment of Tertiary Education in Australia by Carol Pybus and Terry Moore
Volume 9, number 2 (2018) Editorial: “Nationalisms Old and New: Australia, Europe, South Africa” by Martina Horakova
Volume 9, number 2 (2018) “Tim Winton’s Palimpsestuous Australianness in Island Home: A Landscape Memoir” by Barbara Arizti
Volume 9, number 2 (2018) “Is Cosmopolitan the New Australian? Flexible Identities in Eva Sallis’s Fiction” by Salhia Ben-Messahel
Volume 9, number 2 (2018) “The Child Lost Beneath History in Zana Fraillon’s No Stars to Wish On and The Bone Sparrow” by Mark Froud
Volume 9, number 2 (2018) “Fending off Doomsday: Christina Stead’s Response to Postwar, Democratic Europe” by Michael Ackland
Archive Volume 9, number 2 (2018) “The Re-emergence of South African Nationalism in Kopano Matlwa’s Period Pain” by Laura Winstanley
Volume 8, number 1 (2017) Matriduxy?: Tracing Colonial Adumbration in Australian Womanhood via a Psychoanalytical Reading of Christina Stead’s The Man Who Loved Children, by Theresa Holtby
Volume 8, number 1 (2017) Nick Cave’s The Death of Bunny Munro: Misogynistic Trash, Scatological Rhetoric, or an Ode to Valerie Solanas’ SCUM Manifesto?, by Rebecca Johinke
Volume 8, number 1 (2017) The Communicative Aspect of New Linguistic Discourse—a Case Study of Language Alternation in Multilingual Written Texts, by Éva Forintos
